An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.

An affectionate and refreshing East/West-Germany comedy about a boy who’s mother was in a coma while the Berlin wall fell and when she wakes up he must try to keep her from learning what happen (since she was an avid communist supporter) to avoid shocking her which could lead to another heart attack.

The rise of national socialism in Germany should not be regarded as a conspiracy of madmen. Millions of “good” people found themselves in a society spiralling into terrible chaos. A film about then, which illuminates the terrors of now.

Star reporter Lars Bogenius is a respected journalist and knows how to wow his readers and critics with emotional reportage. Emotional, realistic and moving, his style regularly promises to win him the industry’s most coveted awards. His publishing house is also grateful to the exceptional journalist, because the paper’s numbers are sinking and are being cushioned by Bogenius’ reportage, among other things. Everything sounds too good to be true – at least that’s the opinion of freelance journalist Juan Romero, who takes on the inconsistencies and looks deeper behind Bogenius’ research and reportage. It’s a dangerous plan that faces numerous obstacles. But what he discovers turns out to be the biggest journalism scandal in Germany.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they’re good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

The European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones, is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story promptly leading him to the crime of fascism and Nazi Germany’s designs on European conquest In attempting to learn more about a seemingly noble peace effort, Jones who walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love.

Fourth-generation Army Col. William McNamara is imprisoned in a brutal German POW camp. Still, as the senior-ranking American officer, he commands his fellow inmates, keeping a sense of honor alive in a place where honor is easy to destroy, all under the dangerous eye of the Luftwafe vetran Col. Wilhelm Visser. Never giving up the fight to win the war, McNamara is silently planning, waiting for his moment to strike back at the enemy. A murder in the camp gives him the chance to set a risky plan in motion. With a court martial to keep Visser and the Germans distracted, McNamara orchestrates a cunning scheme to escape and destroy a nearby munitions plant, enlisting the unwitting help of young Lt. Tommy Hart. Together with his men, McNamara uses a hero’s resolve to carry out his mission, ultimately forced to weigh the value of his life against the good of his country.

The life of Jorg Geissner, a German banker, totally transforms with a visit to Paladiki Island, Greece. A business trip to check on a project called “Galapagos in Greece” by the islanders and for which his bank extended a loan and credit, brought him there. Being a German, he wants to investigate thoroughly, but Panos, a mini-mart owner, and the mayor try their utmost to sabotage him—to camouflage a not-so-good reality. After every single trial resulted in nothing because of the islanders’ secret meddling, Jorg’s trip becomes elongated, like The Odyssey’s, forcing him to contemplate the priorities and responsibilities in life again.

It’s a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem – there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn’t hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn’t extend to spying for the Germans.